Oct 30, 2020
In this inspiring and motivating conversation, National Symphony double bass player Ira Gold shares his wisdom on practicing and on leading a meaningful musical life.
Ira expands on:
MORE ABOUT IRA:
Ira Gold made his Carnegie Hall solo debut in 2011, performing the Vanhal Bass Concerto with the Catholic University of America Symphony Orchestra.
Prior to joining the National Symphony in 2005, he performed with several American orchestras, as Section Bass with the Minnesota Orchestra and as guest Principal Bassist with the San Francisco Symphony and Detroit Symphony. He has attended festivals such as Grand Teton Music Festival, Domaine Forget Music Academy, Bach Festival Leipzig, Aspen, and Tanglewood. Mr. Gold spent several summers at the International Festival Institute at Round Top both as a student and faculty. He is continually in demand for recitals and masterclasses, including recent visits at The Colburn School, University of Southern California, The Moscow State Conservatory, Boston University, New England Conservatory, Boston Conservatory, University of Colorado (Boulder), The Juilliard School, Boston University Tanglewood Institute, The International Society of Bassists Convention, and The Manhattan School of Music. Mr. Gold maintains a studio of private students, has taught lessons and coached chamber music in the National Symphony Orchestra Youth Fellowship program, and has been a Double Bass Faculty member of Peabody Conservatory since 2009. He is also a co-founding member of Peabody Bass Works, a one week bass camp held every July at Peabody Conservatory.
Mr. Gold has been interviewed multiple times by Jason Heath for the podcast Contrabass Conversations, and more recently as a featured guest on The Audition Breakthrough Summit, which launched in March 2017. In 2016 he published an article for the ISB’s journal Bass World, in which he discusses the qualities of teaching that affect the relationship of teacher and student.
An active chamber musician, Mr. Gold has performed with East Coast Chamber Orchestra, the NSO Millenium Stage Prelude Series, Peabody Conservatory Faculty, and the New Orchestra of Washington.
He earned his Bachelor of Music degree at Boston University’s College of Fine Arts, and his Master of Music degree at Rice University’s Shepherd School of Music, where he won the strings division of the 2005 Concerto Competition. His primary teachers include Edwin Barker and Paul Ellison, and additional studies with Albert Laszlo, Kenneth Harper, Dennis Whittaker, Mark Shapiro, and Harry Lantz.
Visit www.mindoverfinger.com and sign up for my newsletter to get your free guide to a super productive practice! This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it’s filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights!
And don’t forget to join the Mind Over Finger Tribe for additional resources on practice and performing!
If you enjoyed the show, please leave a review on iTunes! I truly appreciate your support!
Most sincere thank you to composer Jim Stephenson who graciously provided the show’s musical theme! Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.
Thank you to Susan Blackwell for the introduction! You can find out more about Susan, her fantastic podcast The Spark File, and her work helping creatives of all backgrounds expand their impact by visiting https://www.susanblackwell.com/home.
Also a HUGE thank you to my fantastic producer, Bella Kelly!
MIND OVER FINGER: